The Catholic University of America

Detail of postcard reproduction of photograph, ca. 1895, depicting Ipanema Beach in Rio de Janeiro, by the Brazilian photographer Marc Ferrez (1843-1923). With inscription from Antônio Parreiras to Oliveira Lima, dated 10 January 1911.

The Collections

Printed Works
The library holds an extensive collection of printed materials. Its holdings on early modern Portuguese expansion, on Portuguese and Brazilian literature, and on Brazilian history from Independence to 1930 are especially strong. The collection also includes important material for research on Portuguese Asia and Africa and on the comparative study of the Portuguese and Spanish empires.

A family pays homage to Princess Isabel, who in 1888 declared the abolition of slavery while acting as regent in the absence of her father, Dom Pedro II, Brazil’s last emperor. The
“Revista illustrada” (Rio de Janeiro: Angelo Agostini, 1876-1895) is considered to be the most important political and satirical magazine of the nineteenth century in Brazil.
A family pays homage to Princess Isabel, who in 1888 declared the abolition of slavery while acting as regent in the absence of her father, Dom Pedro II, Brazil’s last emperor. The Revista illustrada (Rio de Janeiro: Angelo Agostini, 1876-1895) is considered to be the most important political and satirical magazine of the 19th century in Brazil.

Manuscripts
The library’s manuscript collections include more than 700 items spanning the 16th to the 20th century. The library also houses the Oliveira Lima Family Papers, including letters from Machado de Assis, Joaquim Nabuco, Euclides da Cunha, José Veríssimo, Gilberto Freyre, João Lúcio de Azevedo, and other writers from Latin America, the United States and Europe.

Detail of watercolor portrait of Santo Antônio de Catagerona, from the library's manuscript no. I.16, “Compromisso da Irmandade de S. Antonio de Catagerona cita na matris de S. Pedro desta cidade da Bahya ... 1699.”
Detail of watercolor portrait of Santo Antônio de Catagerona, from the library's manuscript no. I.16, “Compromisso da Irmandade de S. Antonio de Catagerona cita na matris de S. Pedro desta cidade da Bahya ... 1699.”

Artworks and Other Visual Materials
The library holds several hundred artworks, including paintings, drawings, prints and sculptures. It also holds numerous maps, more than 1,000 early 20th-century postcards and 2,000 photographs, some from the dawn of photography in Brazil. Among the most important artworks are a landscape of Pernambuco by the Dutch painter Frans Post (1669); ten watercolors by the Spanish military engineer, Francisco Requena, painted on the upper Amazon in the 1780s; 18th-century maps of the New World by Juan da la Cruz Cano y Olmedilla; a portrait of the Prince Regent of Portugal, the future King John VI, by the Italian artist Domenico Pellegrini (1806); a landscape of Rio de Janeiro (ca. 1816–1821) by the French painter Nicolas Antoine Taunay ; and a bust of Pedro I, Emperor of Brazil, created from life (ca. 1826) by the French sculptor Marc Ferrez .

Portrait from life of Pedro I, Emperor of Brazil (d. 1834) at around 27 years of age, by the French sculptor Marc Ferrez (1788-1850). Originally executed in gesso in Rio de Janeiro, ca. 1826; cast in bronze in Paris by Fontaine.
Portrait from life of Pedro I, Emperor of Brazil (d. 1834) at around 27 years of age, by the French sculptor Marc Ferrez (1788-1850). Originally executed in gesso in Rio de Janeiro, ca. 1826; cast in bronze in Paris by Fontaine. Dom Pedro was 24 years old in 1822 when he proclaimed Brazil’s independence.

Portugal
The library has a strong collection on Portugal, including significant holdings on the Portuguese discoveries and on Portuguese religious, cultural and diplomatic history from 1500 to 1930. The library also contains rare materials on the Portuguese empire in Africa and Asia and on the history of Portuguese cartography and geography.

Other Portuguese topics that are well represented include literature from the 16th to the early 20th century; chronicles of the realm; diplomatic history; religious orders; the Marquis of Pombal; and the collected writings of António Vieira, Francisco Manuel de Melo, José Agostinho de Macedo, Camilo Castelo Branco, Eça de Queiroz and others.

“Portugalia et Algarve.” Map of Portugal by Gerhard Mercator, published in Amsterdam in the early 17th century.  Gift of James Craig La Drière.
“Portugalia et Algarve.” Map of Portugal by Gerhard Mercator, published in Amsterdam in the early 17th century. Gift of James Craig La Drière.

Brazil
The library’s collection of Brasiliana is the largest of its holdings and represents all periods of Brazilian history from the 16th to the early 20th century. Every part of the collection contains rich resources for scholarship. The oldest book is Montalboddo’s 1507 Paesi nouamente retrouati, which contains the first printed account of Pedro Alvares Cabral’s voyage and discovery of Brazil. Among its many early Brazilian books, the library holds a copy of Luiz Antonio Rosado da Cunha’s Relação da entrada que fez ... o Senhor D. Fr. Antonio do Desterro Malheyro, bispo do Rio de Janeiro (1747), the only work published in Brazil before 1808, the year the Portuguese crown lifted its prohibition on printing in Brazil, and the Preciso dos sucessos ... (1817), the first work printed in Pernambuco, which recounts the revolt in Pernambuco that was the first organized attempt to proclaim Brazil’s independence.

The collection is also distinguished by extensive holdings in the following areas: travel books; 17th-century books and pamphlets on the Dutch in Brazil; Portuguese and Brazilian pamphlets related to Brazilian Independence; the proceedings of the first constituent assembly and the annals of the national legislature since 1823; literature of the Brazilian Empire and Old Republic; and the publications of the Brazilian Historical and Geographical Institute since 1839.

Nicolas Antoine Taunay, “The Largo do Machado in Laranjeiras, Rio de Janeiro,” ca. 1816-1821. Oil on canvas.
Nicolas Antoine Taunay, The Largo do Machado in Laranjeiras, Rio de Janeiro, ca. 1816-1821. Oil on canvas.

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